{"id":78,"date":"2021-02-23T23:57:27","date_gmt":"2021-02-23T22:57:27","guid":{"rendered":"https:\/\/przemekdanowski.com\/?page_id=78"},"modified":"2025-11-28T11:56:46","modified_gmt":"2025-11-28T10:56:46","slug":"texts","status":"publish","type":"page","link":"https:\/\/przemekdanowski.com\/?page_id=78","title":{"rendered":"texts"},"content":{"rendered":"\n<h3 class=\"wp-block-heading alignwide\"><a href=\"https:\/\/www.researchgate.net\/publication\/392164491_Decoding_Ambisonics_to_Dolby_Atmos_using_beamforming_and_spherical_array_of_objects?_tp=eyJjb250ZXh0Ijp7InBhZ2UiOiJwcm9maWxlIiwicHJldmlvdXNQYWdlIjoiaG9tZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0\"><em>Decoding Ambisonics to Dolby Atmos using beamforming and spherical array of objects<\/em><\/a>, SONIC ART. SOUND PERCEPTION AND AUDIO ENGINEERING, Chopin University Press, 10\/12\/2024<\/h3>\n\n\n\n<h3 class=\"wp-block-heading alignwide has-text-align-left\"><span style=\"text-decoration: underline;\"><em>Virtual Sound of Przemys\u0142aw Danowski \u2013 o miejscu muzyki w VR i drodze sound designera<\/em><\/span>, orfeo.com.pl, 20\/05\/2021<\/h3>\n\n\n\n<h3 class=\"wp-block-heading alignwide\"><em><a href=\"https:\/\/web.archive.org\/web\/20240613205747\/https:\/\/panopticon.am\/a-brief-history-of-virtual-reality-music-instruments-and-virtual-music-venues\/\" data-type=\"URL\" data-id=\"https:\/\/panopticon.am\/a-brief-history-of-virtual-reality-music-instruments-and-virtual-music-venues\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sounds of the Metaverse: A Brief History of Virtual Reality Music Instruments and Virtual Music Venues<\/a><\/em>, panopticon.am, 14\/02\/2021<\/h3>\n\n\n\n<h3 class=\"wp-block-heading alignwide\"><em><a href=\"https:\/\/issuu.com\/cerenem\/docs\/cerenemjournal-issue7-pdfversion-v5\" data-type=\"URL\" data-id=\"https:\/\/issuu.com\/cerenem\/docs\/cerenemjournal-issue7-pdfversion-v5\" target=\"_blank\" rel=\"noreferrer noopener\">Virtual Reality as Music Environment<\/a><\/em>, CeReNeM Journal Issue 7, 08\/12\/2020<\/h3>\n\n\n\n<h3 class=\"wp-block-heading alignwide\"><a rel=\"noreferrer noopener\" href=\"https:\/\/radiokapital.pl\/shows\/canti-spazializzati\/9-przemek-danowski\" data-type=\"URL\" data-id=\"https:\/\/radiokapital.pl\/shows\/canti-spazializzati\/9-przemek-danowski\" target=\"_blank\"><em>Wywiad dla Canti Spazializzati<\/em><\/a>, Radio Kapita\u0142, 13\/09\/2020<\/h3>\n\n\n\n<h3 class=\"wp-block-heading alignwide\"><em><a href=\"https:\/\/zylia-blog.weebly.com\/blog\/przemek-danowski-talks-about-the-future-of-3d-audio-in-immersive-arts\" data-type=\"URL\" data-id=\"https:\/\/www.zylia.co\/blog\/przemek-danowski-talks-about-the-future-of-3d-audio-in-immersive-arts\" target=\"_blank\" rel=\"noreferrer noopener\">The Future of 3D Audio in Immersive Arts<\/a><\/em>, Interview for Zylia, 06\/10\/2020 <\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Decoding Ambisonics to Dolby Atmos using beamforming and spherical array of objects, SONIC ART. SOUND PERCEPTION AND AUDIO ENGINEERING, Chopin University Press, 10\/12\/2024 Virtual Sound of Przemys\u0142aw Danowski \u2013 o miejscu muzyki w VR i drodze sound designera, orfeo.com.pl, 20\/05\/2021 Sounds of the Metaverse: A Brief History of Virtual Reality Music Instruments and Virtual Music&hellip; <a class=\"more-link\" href=\"https:\/\/przemekdanowski.com\/?page_id=78\">Continue reading <span class=\"screen-reader-text\">texts<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=\/wp\/v2\/pages\/78"}],"collection":[{"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=78"}],"version-history":[{"count":17,"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=\/wp\/v2\/pages\/78\/revisions"}],"predecessor-version":[{"id":387,"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=\/wp\/v2\/pages\/78\/revisions\/387"}],"wp:attachment":[{"href":"https:\/\/przemekdanowski.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}